adhd deep dives
• illustration • design • animation • illustration • design • animation
• illustration • design • animation • illustration • design • animation
• illustration • design • animation • illustration • design • animation
innovation summit
branding
This project was a total playground. The Innovation Summit is a biannual event celebrating big, wonderful ideas, and this year, the creative brief said go for it.
The theme was the evolution of an idea. Starting as a tiny circle (the spark) and developed into a full sphere (the idea in action). I used bold, playful typography and clean visuals to show that transformation, mixing experimental type layouts with just the right amount of grid precision for my compulsive need for organization.
digital focus
There was a big push to go full digital because if you’re talking innovation, you better be innovative. Plus, saving trees was a big win! Instead of stacks of printed programs, everything lived online in a slick, interactive layout.
It linked to live presentations, articles, and points of contact. That opened the door for motion graphics to sneak in across screens, presentation decks, and social posts, turning a static summit into something that actually moved.
summit in motion
Motion design was the secret sauce. Waiting screens shimmered, transitions pulsed with color, and every slide felt alive. The event became more than just a lineup of speakers; it turned into a full sensory experience that matched the theme of ideas constantly growing and evolving.
I played with physics simulations to make the ideas to float around and then start to gain weight and traction. Really just multiplying the wow factor!
• illustration • design • animation • illustration • design • animation
• illustration • design • animation • illustration • design • animation
• illustration • design • animation • illustration • design • animation
rewilding europe
animating in the wild
This one hit close to home, an article all about re-connecting people with the planet. Rewilding Europe looked at how we can bring nature back into our everyday world, even in busy cities. I built the visual story through illustration, balancing the serious stuff (agriculture, climate, all that) with fun, thoughtful imagery that gives the warm fuzzy feeling of hope.
While static illustration is cool and all, animation gives it life. I brought subtle motion into the illustrations, with spinning pickles, turning turbines, and all the little things that made it feel like the world was breathing clean air again.
digital world
The final layout was designed to scroll smoothly and feel immersive. Everything flowed like a storybook; the visuals guided the pacing while the text pulled you deeper in. It’s illustration, animation, and design working together like a perfectly synced Twice performance.
process
Every piece started as tiny sketches doodled between sips of coffee. Once the compositions felt right, I built my digital foundation, layering shapes and details until it started taking shape.
After that: animating. Watching those still ideas evolve into a full, living scene never stops being satisfying. The best kind of brain rot.
• illustration • design • animation • illustration • design • animation
• illustration • design • animation • illustration • design • animation
• illustration • design • animation • illustration • design • animation
tradeshow brand reel
story in motion
Trade shows can feel like everyone’s fighting for attention. So let motion could do the talking since this was being displayed on digital bannerstands. Allowing the company story be told in movement. Transitions, rhythm, and pacing pulled people in from across the floor. It showed off what the brand does best and made the booth feel alive.
built different
I built this setup as a template to make life easier for future uses. Layouts and grids keep things clean, and a bit of code magic makes the containers adjust to whatever text you throw in. Transitions are as simple as checking a box, and anchor points snap to any corner or side with one click. Brand colours stay locked in, even after colour grading.
It works with two, three, or four panels. No sweat. It’s flexible, easy to tweak, and fast to update. I wanted the basic stuff to run smooth so I can spend more time flexing on the fancy work.
All of this code, brings the workload down into two simple check boxes. The settings are linked to a master control layer making it easy to adjust across the entire sequence.
While this code works it's magic and scales the box to the text. Keeping the same padding and position. Meanwhile all the elements are locked into position so whatever the comp size is, nothing will be out of place.
